With
America and the world in the throes of constant bombardment by what can only be
described as evil, it is worth taking a few minutes to carefully peruse some of
the warning signs that many of us have been deceived into ignoring. This
posting is by no means exhaustive and I am only focusing on one aspect of the
culture. But I do want to highlight some of these aspects that may be seen,
unseen, or simply glossed over by the masses. The best way to get the ball
rolling is to introduce what I believe to be an excellent segue into the darker
machinations that are prevalent today.
“The new global religion is secular humanism.
It promotes confusion and compromise through politically correct tolerance in
the name of multiculturalism.” – Mahesh & Bonnie Chavda, Storm Warrior
(2008)
A
few years back, I was scrolling The Flash actor's, Grant Gustin, Instagram
and found a picture of the book, Coming
Out To Play, by former Major League Soccer player, Robbie Rogers. The
picture, as of this writing, was posted, 11/24/2014. In 2015, The Flash won the “People’s Choice Award”
and the actor won “The Big Kid Choice Award.” Now this is not to point fingers
at any one individual, but rather to point to a pattern of homosexuality that
permeates the Hollywood square (no pun intended). Robbie Rogers is married to
Greg Berlanti, a successful writer and producer in Hollywood, whose relevant
works here include, Flash, Arrow, and Supergirl. Which Instagram account, I
cannot remember, but there also was a photograph of Berlanti sitting in a
fancy, throne-like chair smiling at the camera. The Flash actor was holding the
phone to his ear on one side, while Stephen Amell, the Green Arrow actor, was pouring him tea. This
picture itself may or may not still be online as I don’t recall whose it was
when I saw it. While Gustin has played a gay character on Glee prior to being hired for The
Flash, Amell, early in his acting career, had a role on Queer As Folk, as well as a role on the
LGBT show, Dante’s Cove. Ironically,
the latter show’s first season is apparently now streaming on Hulu, which is
owned by The Disney Company.
*Dante’s Cove: Where supernatural
forces are held at bay by six pack abs and an overpriced Disney+ package
The
connection of writers, producers, and actors openly promoting homosexuality in
Hollywood is nothing new, but it has become more prominent in recent years. Yet,
the connection to promoting younger and younger actors and actresses not only
kissing each other on screen, but then normalizing same-sex kissing on top of
it all has also become fashionable. A simple Google search on say, black actors
and gay Hollywood does not come up with a diverse group of opinionated links,
but rather the continued promotion of “progressive” sexuality in Tinseltown.
Now
other than some purely speculative connections between random people who’ve
managed to make a mark in Hollywood, you may be wondering why this is relevant
at all. With the promotion of The Flash
as a fun superhero show the whole family can enjoy, the gay police chief character
seems of minor relevance until one factors in that “Joe” angrily tells the
nurse at the hospital that the chief’s male fiancée will see him after visiting
hours after being expressly told said hours are over. See, it’s one thing to
assume that being passionate about subjective morality has its place when
leaving God out of the equation, but the normalizing of things we know to be
contrary to reality takes a back seat once the medium has been established
enough to stop coming across as friendly and start making demands. What I mean by
that is, the segue of separated beds in 1950s TV, to fake gay characters in
Three’s Company, to softcore porn in mainstream TV today has been slow, but
steady. Try curtailing back on any of it in the public square, you’d be mocked
and ridiculed. Now chastity and restraint don’t need to be an obstacle. Now the
powers-that-be can be bold in how they push their progressive values.
"Kids, tell your mom we’re puttin’ those
twin beds together tonight!"
Alan
Ball, the Academy Award winning writer of American
Beauty, did a hefty job of promoting infidelity, pedophilia, and
homosexuality along with straight up murder for rebuffing homosexual advances.
I seem to recall his mentioning somewhere that they celebrated mocking the
American nuclear family as they toasted the film’s success. I once read a gay
critic discuss how Ball attempted a valiant effort at normalizing homosexuality
on the HBO series, True Blood. Based
upon The Southern Vampire Mysteries
by Charlaine Harris, the story revolves around the creation of a blood substitute
so vampires can “come out of the coffin,” and Public Enemy No. 1 is the church
of the “Fellowship of the Sun.” Yes, with a U, but anyone with common sense
understands the Hollywood elusion to Christianity at odds with homosexuality.
The gay critic did comment, however, that despite whatever Ball’s good
intentions might have been to normalize the lifestyle, ironically, the vampires
were the murderous predators of the series.
*Nothing
more frustrating than forgetting your Kroger card when V-juice is on
sale
The
point of this entire post is not the condemnation of those accepting the
homosexual lifestyle, but to focus on the destruction of the American male as
seen through the eyes of someone who has watched the mainstream media slowly
eradicate the Judeo-Christian value system as Hollywood introduces one
destructive trope after another, all under the guise of art, craft, and
progress. What we will see is how Hollywood has used the white male for its own
purposes and now that the “diversity” has supposedly entered the picture, we
will see how next on the agenda has already been the destruction of the black
male in America. But now, instead of focusing on slavery, on civil rights, on
political parties, and injustice by the courts, this focus will shift to how
Satan uses Hollywood to get people to succumb to the selling of their souls.
This is why you cannot have a differing political opinion in Hollywood. This is
also why so many “stars” rant the same exact vitriol on social media. This is
also why when the subjects get a bit too taboo during recorded interviews,
toeing the line becomes the norm if you’re paying attention. The skin color or
the actor or actress is often focused upon for very different reasons than the
unsuspecting public realizes. The reasons are not diversity and social
progress, but the normalization of everything antithetical to Scripture and
through all demographics.
Keep
in mind, we all can admit that we love TV shows and we love the movies. I’m
only covering cursory details as this, again, isn’t exhaustive. But suffice it
to say, brainwashing as a term can be wholly offensive and yet
simultaneously, that is exactly the term that can and should be used when
dealing with the subject of influencing people through what they watch. It is
one reason why social media users have been deemed “influencers.” We know full
well that millions of dollars are pumped into thirty second commercials and
hundreds of millions into shows and movies alike. But like always, we don’t
like to delve behind the curtain and see what machinations may be lurking. To
look any deeper might confirm our suspicions that people aren’t generally good,
but generally evil, which lines up with the biblical assertion that mankind is
utterly sinful and in need of a savior. Which is why, no matter how hard
Hollywood has fought against it, the writers know our basic understanding is
always about good vs. evil. So supernaturally, the objective in hindsight and
from an historical perspective, is not to shy away from the concepts of good
and evil, but to reverse their roles as Satan disguises himself as an angel of
light. Everything that innately has been understood to a culture as morally
reprehensible slowly over time then becomes a part of the progression toward
that full reversal. We see in history through the digression of fallen nations and
becoming morally decadent is a prerequisite itself to the arrival of that nation’s
destruction; be it through disease, famine, and war or all of the above.
As
a lover of superhero films and series, the focus here will be on the blend of
satanic imagery and homosexuality in, again, what would be considered family
fare with the overly priced popcorn to boot. Young Justice was an animated series that I discovered after the
show had been canceled. While focusing on the lesser members of the Justice League,
such as Superboy, Robin, and Aqualad, protégé of Aquaman, the show had some
fascinating esoteric elements that became more obvious in the second season
entitled Invasion. Yet, even in Season One, a particular villain, Klarion the Witch Boy is introduced who really doesn’t need much more of an introduction than that. The secret
society he is a part of, along with Lex Luthor, refers to themselves as
“The Light.” For the sake of not overusing the term, the Illuminati, I’ll
simply point out that Satan disguising himself as an angel of light is
typically a major factor in attempting to spin unholy illumination in a
positive framework, such as the serpent did when deceiving Eve. Now the
serpent, or nachash in Hebrew, is
focused on deception by promoting the gnosis of the tree of knowledge of good
& evil. The Hebrewversity.com website makes an interesting point that: “in Biblical Hebrew there is a fascinating
strong etymological connection between the ‘Nachash’ and supernatural forces.
The Biblical Hebrew word for sorcery or witchcraft is… the same as the word for
serpent – meaning Nachash! In Modern Hebrew, the old verb Le Nachesh – which
meant ‘to make a witchcraft’ in the Hebrew Bible – changed its original meaning
and is used today in the meaning of ‘to guess.’ The reason for this is probably
connected to the usage of this verb in the Hebrew Bible in the context of
telling the future by fortune tellers. Therefore, it is strongly associated
with the concept of ‘guessing.’”
"You’re not getting into Australia without a shot & a mask."
Another
compelling aspect to the character of Klarion is his use of technosorcery and the opening of
dimensional portals, something that has become more popular of late in not just
science fiction, but that of horror films, and the aforementioned superhero
genre. The previous mention of the Flash was no misnomer. An episode literally
had grim reaper style characters drag a black-clad villain into hell through a
dimensional portal. As the culture becomes increasingly secular, literally meaning worldly, not spiritual or
unholy and outside the temple, the movement publicly espouses atheism, but
privately indulges in spiritualism that is, again, not biblical. But as private
practice inevitably spills into public polity, the switch to more fascinating
esoteric aspects of reality only become the norm when the erosion of
Judeo-Christian values is all but completely supplanted with disbelief. Since
humanity must fill the spiritual void and the wasteland of the pop culture bans
Jesus Christ as the anathema of that culture, Satan has done his work which was
to reverse their roles in the minds and hearts of the masses. This, too, coincides with Romans 1:26-28 where God gave them up to their vile passions and the reversal from natural sexuality to homosexuality. Even the name Hollywood, itself, has a pagan connection as the eighth month of the Celtic Lunar Calendar is the Holly tree.
*Klarion,
the Witch Boy: Just slightly more satanic than your average
80s cartoon villain
Lastly,
on the subject of Young Justice, after
a long hiatus, Season Three was picked up on the DC Universe app. After reading
several in-app comics and left with a less than enthusiastic taste in the
mediocrity of their original TV series, I was looking forward to this animated
franchise continuing. But alas, Aqualad turns to homosexuality as the writers
thought to be inclusive of the LGBT agenda. To top it all off, Aqualad is
black... because diversity. For those critical of this writing and that topic in general, I highly
recommend the book, After the Ball: How
America Will Conquer Its Fear and Hatred of Gays in the 90s by their own
promoters, Marshall Kirk and Hunter Madsen. As a counter rebuttal, I also
recommend the Christian apologetic work, The
Marketing of Evil: How Radicals, Elitists, and Pseudo-Experts Sell Us
Corruption Disguised As Freedom, by David Kupelian.
Aqualad
being black may seem trivial on the surface, but there in lies another clever
agenda when it comes to Hollywood. Exploit the masses by pretending to be
all-inclusive; except leave out the part where African-Americans will continue
to do racist minstrel shows, but under different guises. Initiation, it seems, isn’t just for the white male, it’s for anyone seeking to get ahead in
Hollywood.
I
remember watching a video of a famous award-winning, African-American actor
(who shall remain nameless since I can’t locate the video) in a room with other
black males discussing going to a party, which apparently was for initiation.
He specifically mentioned taking off his shirt to put on a fishnet shirt - to let them know - and then the drinking of a spiked
beverage. Later, after waking up sore from anal penetration, the opportunities
represented themselves in the film world which were not presented prior. At the
end of the video, he said he wasn’t gay, but if he was, “What up with that ass
though, Lenny.” Which particular Lenny is being referred to here, I do not
know. But on a similar note, a particular page I recommend following on
Instagram, @the_real_hollyweird_is_evil has a lot of African-American actors
and musicians discussing the more diabolical machinations of their industries
and what it has cost people.
When
Moonlight came out, Hollywood plugged
that film with a vengeance. As one commentator online labeled the film, “inner
city Brokeback Miami,” it became obvious to those paying attention that
Hollywood was plugging another sexually-charge piece of “art.” Also noteworthy: Anyone
who’s also a study in film history will find mention of people like James Dean
being mentioned as male prostitutes as far back as the late forties &
fifties. His films are often considered classics in their own right. James Dean died at the ripe young age of twenty-four. Something else that happens often in Hollywood; They die young in their attempts to become the next up-and-comers.
Now, new shows, like Netflix's Hollywood (2020), showcase the lifestyle of these post-WWII up-and-comers doing such dastardly deeds under the guise of “fiction” & “entertainment.” Keep in mind, that Best Supporting Actor winner of 2016’s Moonlight, Mahershala Ali plays deceased, real life musician, Dr. Donald Waldridge Shirley, in 2018’s controversial film, Green Book. Shirley apparently was queer as well. In an interesting side note, Ali is taking over as Blade, the titular vampire hunter of Marvel Comics fame. Passing the mantle would be Wesley Snipes who ironically was Hollywood’s first real, major, black, comic book superhero in terms of quality filmmaking. We’ll leave out Damon Wayans as I specified quality. The Wayans brothers and their crossdressing antics could be an entire blog in itself. However, even Snipes played a crossdresser in the 1995 film, To Wong Foo, Thanks For Everything, Julie Newmar. Homosexuality, as we’re seeing, seems to be a prerequisite when it comes to either getting one’s foot in the door, or staying in the room, spiked drink and all.
Now, new shows, like Netflix's Hollywood (2020), showcase the lifestyle of these post-WWII up-and-comers doing such dastardly deeds under the guise of “fiction” & “entertainment.” Keep in mind, that Best Supporting Actor winner of 2016’s Moonlight, Mahershala Ali plays deceased, real life musician, Dr. Donald Waldridge Shirley, in 2018’s controversial film, Green Book. Shirley apparently was queer as well. In an interesting side note, Ali is taking over as Blade, the titular vampire hunter of Marvel Comics fame. Passing the mantle would be Wesley Snipes who ironically was Hollywood’s first real, major, black, comic book superhero in terms of quality filmmaking. We’ll leave out Damon Wayans as I specified quality. The Wayans brothers and their crossdressing antics could be an entire blog in itself. However, even Snipes played a crossdresser in the 1995 film, To Wong Foo, Thanks For Everything, Julie Newmar. Homosexuality, as we’re seeing, seems to be a prerequisite when it comes to either getting one’s foot in the door, or staying in the room, spiked drink and all.
Blade,
Bodhi… & Luigi
In
the past, I’ve come across blogs where Julliard-trained men and women have
mentioned having to perform sexual deeds to get ahead on Broadway as well as in
Tinseltown. So it’s ironic that with a simple Google search, I typed in Anthony
Mackie, (known as The Falcon in the Avengers and Captain America’s friend), and
found that he not only is Julliard trained, which I knew, but one of his early
roles was… you guessed it, a “breakthrough performance” as a gay man in 2004’s Brother to Brother. Also, noteworthy is
simply finding out how many homosexual actors are in major Broadway shows.
Jonathan Groff - who stars in Netflix’s Mindhunter, voices Kristoff in the Frozen
films and starred as King George III in the musical Hamilton - is openly gay and was also the lead in the homosexual HBO series, Looking.
"Just
don’t ask where that thing has been."
Now
the point of this essay isn’t to single out anyone for indulging in the
homosexual lifestyle, but rather to point out that Hollywood success and the
promotion of homosexuality, while closeted in the past, has more of a
connection to the gnosis than we realize. By making seduction a part of the
divine contract of the 3Gs: The gold, the glory, and the girls, no one is looking in the
dressing room to see who else might be in there. The casual fellatio scene at the
beginning of Epix’s series, Get Shorty,
shows us that while one day you’re just an errand boy, after a few thoughtful (or thoughtless) lapses in moral character, you might just be the next star of the silver
screen. They're just now showing you how you'll have to get there. Even in the trailer of Netflix’s Hollywood miniseries, Jim Parsons (The
Big Bang Theory’s Sheldon Cooper) plays a new character angrily shrieking at a
young hopeful, over dinner, for simply not knowing something or someone. This mirrors a
scene in the late-90s film, 54, where someone calls a young Ryan Philippe a
troglodyte at a similar dinner, knowing full well the ignorant up-and-comer
did not know the word referred to cavemen. By diving deeper behind the curtain,
we see men of power dictating what men and women must do in order to get a
glimpse of that same power. A very detailed, albeit, inappropriate graphic novel, The Fade Out, by Ed Brubaker, covers this exact same timeframe of post-WWII in similar fashion with some very disturbing subject matter warranting the question of just where exactly these ideas come from. In the future, I’ll attempt to move further beyond the
curtain and see if we can’t catch a glimpse of something else historically malevolent.
*When You can't handle the truth! was Jack thinking about... other things.